The beginning of the new year of 2018 has been marked by movies in theaters with the primary themes of kindness and compassion. The continuing top pick movie for the fourth week of January is Paddington 2, which is full of heart and laughs. This film (PG) is a sequel to the highly entertaining first Paddington movie. These are based on the beloved books by English author Michael Bond. Although Paddington ends up in a prison in Paddington 2, the sequel is less scary than the first Paddington movie with Nicole Kidman as the menacing taxidermist in the first film.
When Paddington is in prison, the initially intimidating-looking inmates befriend the kind Paddington. With lots of physical comedy, Paddington 2, teaches about the value of compassion, kindness, good manners, and families.
While searching for the perfect present for his beloved Aunt Lucy’s hundredth birthday, Paddington sees a unique pop-up book in Mr. Gruber’s antique shop. With determination Termination Paddington sets out on a series of odd jobs to buy it. However, when the book is stolen, it’s up to Paddington and the Browns, with Mrs. Brown as the lead female detective, to find the thief.
Paddington 2 features Hugh Grant in one of his funniest roles. Other well-known British actors, many of whom are stars in British dramas, in comedic roles in this movie include: Hugh Bonneville, Sally Hawkins, Julie Walters, Brendan Gleeson, Eileen Atkins, Michael Gambon and more.
Paddington 2, is a laugh-out-loud entertaining movie for all ages with hilarious physical antics to satirical allusions to British life, culture, literature, and movies. Like Oliver, Paddington goes to counter of the dining hall in the prison with his gruel, but he turns the dining hall’s tyrant chef into a master chef and the dining hall into an eatery with many special pastry delights. Paddington eventually escapes with the chef and others in a hot-air balloon, reminiscent of Around the World in 80 Days.
Beyond the British satire are more clever references to universal situation comedy with a red sock in the washer turning all the prisoners’ uniforms pink, struggling with aging, teens going through typical adolescent turmoil, and much more.
In Paddington 2, the references to American movies and musicals are also very funny such as the film’s climax with Paddington chasing the villain Hugh Grant across a train’s roof, as in the Johnny Depp Lone Ranger movie with the tunnel and the universal railroad switch comedy. The ending seems to satirize Broadway musicals, especially The Producers’ ending scene, “Prisoners of Love.”
Paddington 2 is both hilarious and heart-warming. Despite Paddington’s misadventures, Paddington is always kind and polite, as he looks for good in everyone. Paddington teaches, “If we’re kind and polite, the world will be right.”
Kindness, compassion, and the value of families continue as dominant themes in other top pick redemptive and family movies for fourth week of January. The Greatest Showman, a spectacular family musical that continues in theaters also focuses on the importance of compassion and the value of each individual. This original musical is inspired by the imagination of P.T. Barnum.
It tells the story of the visionary, P.T. Barnum, who rose from nothing to create a spectacle that became a worldwide sensation. P.T. Barnum played by Hugh Jackman, founder of the three-ring circus, started with nothing; but he envisions a grand spectacle of theater, acrobatics, and amusement. The central theme of this movie is that “Every one of us is special and nobody is like anyone else.”
Academy Award® nominee Hugh Jackman especially likes “…the idea that your talent, your imagination and your ability to work hard should be the only things that determine your success. He (PT Barnum) knew how to make something out of nothing, how to turn lemons into lemonade. I’ve always loved that quality. He followed his own path, and turned any setback he had into a positive. So many things I aspire to in my life are embodied in this one character.”
Australian director Michael Gracey says “…The Greatest Showman also touches on another idea of these times…families built around allowing people to express who they are without reservation… A big idea in the film is that your real wealth is the people that you surround yourself with and the people who love you…Barnum pulled people together who the world might otherwise have ignored. And by bringing each of these people into the light he created a family who were always going to be there for each other. In the course of the film, Barnum almost loses both his real family and his circus family – but then you watch him discover that the most important thing he can do is bring them both back together again… Barnum’s story is about not limiting your imagination, about using what’s in your head to create new worlds….”
Gracey focuses on the Oddities, the circus performers with uncommon physical conditions. Displays of such individuals as freaks is not acceptable today and Gracey sees another side of what Barnum’s performers experienced – the opportunity to escape hidden, marginal lives; the chance to inspire admiration and feel pride; and most of all the ability to provoke questions into just how narrowly we define “normal.” “The Oddities are people who are invisible to society so they’ve been kept behind closed doors,” explains Gracey. “And what our P.T. Barnum does is give these invisible people a spotlight and a chance to feel love for the first time. He tells wondrous stories in which they are not damaged but special. I think audiences will love the Oddities because at the end of the day, everyone’s an Oddity.” He emphasizes, “There’s a line where Barnum says, ‘No one ever made a difference by being like everyone else.’ That to me is the heart of the film.”
For Gracey, everything hinged on getting the music for this movie right. He determined that the songs could counterpoint the period setting – rather than going back in time, he wanted songs that would make the characters and dilemmas urgently of-the-moment. Benj Pasek and Justin Paul known for Oscar®-winning work on La La Land brilliantly provided this and more. Gracey said, “What Benj and Justin songs they wrote are always taking you somewhere – each is a narrative in its own right.”
Tony Award winner and Academy Award® nominee Hugh Jackman brings his commitment to family to this movie. Producer Laurence Mark says, “I think this is the first movie in which Hugh has actually played a family man and calls upon that part of himself… He makes it very much a story about a man who loses and then rediscovers his family – both his home family and his circus family who together mean everything in the world to him.”
Jackman also says, “What I like most is that at its heart, this is a film about taking risks, following your dreams and celebrating what makes each and every one of us unique…Barnum filled his show with the most talented but overlooked people he knew and gave them a magnificent spotlight in which to shine – and that’s the story we’ve decided to tell….Barnum broke walls down and I think what he represents to us now is this idea that you can be whoever you are, you can choose the life you want regardless of class or race or background.
If you work hard and use your imagination, you can do something amazing. I think Barnum was a little bit of an Oddity himself, growing up. He believed that what makes you different makes you special. That resonates with me in a huge way — and I think everybody can relate to it, particularly young kids. That’s why I’m thrilled that the theme of this movie is that it is empowering and cool just to be you….as the father of two teenagers, I talk to them constantly about the idea that no matter who you are, no matter how you differ from supermodels and football players, it’s irrelevant. Love yourself exactly the way you were born.”
Jackman’s song “From Now On,” is about seeking redemption. “That song is about Barnum coming to terms with …mistakes he’s made…” says music writer Justin Paul. “It begins in a hush and build and builds until the moment where he has to rush down the street trying to win his family back.”
The music, choreography, and production elements of this spectacular musical movie creatively and freshly communicate the central themes through the skillful performances of top performers. As with the songs for The Greatest Showman, the design aesthetic blends vintage and new – hurtling the 19th century of P.T. Barnum into the future of today. Along with a team of dedicated artisans – including cinematographer Seamus McGarvey, production designer Nathan Crowley and costume designer Ellen Mirojnick – Michael Gracey establishes a look that is not grounded in any specific era. It is grounded in the power of the imagination of every era, bridging the gap between Barnum’s times and our own.
The movie culminates with the film’s climactic reprise of The Greatest Show. Choreographer Asley Wallen says, “We left our biggest dance for the end…It’s just a huge number that incorporates all the circus acts, all the dancers, all the Oddities, the…animals and so much more. It’s created to be a big, astounding, celebratory final note.”
Producer Laurence Mark says: “We all hope to have created a feast for the eyes, for the ears and for the heart. The old Barnum & Bailey circus’s time has come and gone, but what lives on as the legacy of Barnum is that desire to spark joy and imagination, and that’s the tradition we hope to have honored.”
Ferdinand is another top pick family movie with a theme of the value of kindness that continues in theaters. It is about a bull who doesn’t bully. This movie, like The Greatest Showman, also has the theme of the value of each individual. Ferdinand is a CG-animated adaptation of the classic 1936 book by Munro Leaf and Robert Lawson.
The movie begins in Casa del Toros, a bull training camp in rural Spain from which young Ferdinand bolts upon learning his dad never returned from a trip to that Madrid arena. He finds idyllic refuge on a farm belonging to Juan whose daughter Nina makes a pet out of Ferdinand. But when the docile creature grows to an enormous, threatening size, he is seized by the authorities and delivered back to Casa del Toros.
Ferdinand plans an escape with the help of a team of misfits, who like Ferdinand defy stereotypes. The movie is a heartwarming, comedic adventure for all ages. Moments of comic entertainment include a literal “bull in a china shop” scene. However, the characters also gracefully inhabit bright green rolling hills against azure skies. Ferdinand is an heroic, selfless, non-violent, courageous character who is concerned about the well-being of others.
Wonder is another top pick family and redemptive movie that continues in theaters with the central themes of kindness, compassion, and the value of each individual. It is based on the New York Times bestseller by the same title, it tells the inspiring, hopeful, and heartwarming story of August Pullman (Jacob Tremblay), who has facial abnormalities. In the movie, he enters the fifth grade to attend an elementary school for the first time, after homeschooling with his mother, played by Oscar Award-winning actress Julia Roberts.
The movie follows Auggie’s first year in school from his perspective and that of those around him. While it discourages bullying, the movie encourages seeing others beyond external appearances, having quality friendships, and showing compassion. It is a family movie but there is some brief, mostly light, foul language.
It is a delightful, entertaining, uplifting movie that is suitable for older children through adults. Julia Roberts, Owen Wilson (Auggie’s father), Izabela Vidovic (Auggie’s sister, Via), Mandy Patinkin (Auggie’s school principal), and Jacob Tremblay (Auggie) give endearing performances.
Same Kind of Different as Me is also a not-to-miss, timely major movie about compassion and kindness. It features the skillful performances of Academy Award® nominee Greg Kinnear, Academy Award® winner Renée Zellweger, Academy Award® nominee Djimon Hounsou, and Academy Award® winner Jon Voight.
I had the privilege of participating in interviews with Ron Hall, author/writer; Greg Kinnear, Rene Zellweger; Jon Voight. Djimon Hounsou, and director Michael Carney in LA this past weekend. They are all Christian believers who are committed to serving and restoring the homeless. These actors are Academy Award winners/nominees who bring genuine heart to this story! Here, you can hear their hearts from the interviews about the main issue of homelessness in the movie. The true story upon which this movie is based is amazing and timely.
This engaging and inspiring Paramount Pictures and PureFlix movie is rated PG-13 for thematic elements and is appropriate for teens and adults. It is based on the New York Times bestselling book of the same name by Ron Hall and Denver Moore, with Lynn Vincent. This uplifting movie provides solutions to today’s challenges of racial and socioeconomic divides and of homelessness.
The film presents a remarkable true story about the transforming power and importance of the following: compassion, faith, family, friendship, kindness, unconditional love, and forgiveness. Audiences are sure to find inspiration to “Make A Difference” in the lives of others because as Denver would say—everyone can help someone.
The movie, Same Kind of Different as Me, based on a true story and subsequent New York Times bestseller, is about international art dealer Ron Hall (Greg Kinnear), who befriends a homeless man (Denver played by Djimon Hounsou), in hopes of saving his struggling marriage to Debbie (Renée Zellweger). Debbie’s dreams will lead all three of them on a remarkable journey. Hall’s father, played by Jon Voight, will also be transformed and reconciled by the relationships of Ron, Debbie, and Denver.
The Bible tells us think on “… whatever is true, whatever is honorable, whatever is right, whatever is pure, whatever is lovely, whatever is admirable — if anything is excellent or praiseworthy — think on these things…” (Philippians 4:8) It also tells us the “…Love is patient, love is kind. It does not envy, it does not boast, it is not proud. 5It is not rude, it is not self-seeking, it is not easily angered, it keeps no account of wrongs.…” (I Corinthians 13:4). The top pick family movies for the fourth week of January display many of these virtues.
Uniquely, each week Sonoma Christian Home not only provides valuable reviews and substantive interviews for worthwhile family movies, but it also publishes the top picks in movies in theaters for all ages that are not only entertaining; but they are redemptive, of good quality, and inspirational.
The top pick movies for the fourth week of January 2018 include the following: Paddington 2 (PG) for all ages; The Greatest Showman (PG) for older children through adults; Ferdinand (PG) for all ages; and Wonder (PG) for older children through adults.
Watch for many top picks in the new year of redemptive, Biblical, and faith-based movies that continue to improve in the ongoing renaissance of artistry and reformation of content in movies. Although theater release dates can change, here is what is known about what and when some of the most promising redemptive and family movies are due in theaters this year: Peter Rabbit, 2/9; Samson, 2/16; Kirk Cameron: CONNECT (Focuses on Strengthening Families in the Digital Age), 2/27 & 3/1; Is Genesis History? , 2/22; Jack and the Beanstalk, Gigantic, 3/8; Mary Magdalene, 3/16; I Can Only Imagine, 3/18; Paul, Apostle of Christ, 3/28; God’s Not Dead 3, 3/30; A Wrinkle in Time, 4/9; Lego Movie, Sequel, 5/18; Incredibles 2, 6/15; The Jungle Book, Origins, 10/19; The Nutcracker and The Four Realms, 10/26; Mulan, 11/2; Wreck-It-Ralph, 11/21; Mary Poppins Returns, 12/21 and more.
Other promising redemptive and family movies with release dates to be announced include: Heavenquest: A Pilgrim’s Progress; Indivisible; Run the Race, Unbroken, Path to Redemption; The Chronicles of Narnia: The Silver Chair, Peter Pan; The Little Mermaid, and many more. Watch for interviews and insightful stories for these movies on Sonoma Christian Home.
Please continue to search for and support the best movies for your friends and families. The best is yet come as long we continue to support the ongoing reformation in content and renaissance in artistry in media and movies.
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